Small Talk Tag: Johannes Landman

Miniature Masterworks: Johannes Landman

Johannes Landman specializes in miniature paintings inspired by the Dutch Golden Age. His 1:12 oil paintings are created on wooden panels that are covered in gesso. When finished, his work is mounted in hand-carved frames.

Landman is one of more than 60 artists participating in Miniature Masterworks, September 15-17, 2017. He will be giving a gallery talk about his work in the T/m collection and the inspiration behind it on September 17 at 1:30pm.

Allegory of a Lullaby: The Dreamy Details

Johannes landman

Johannes Landman’s miniature Dutch cradle is entitled Allegory of a Lullaby. What exactly is an allegory? We’re glad you asked! In visual art, an allegory uses figures or characters as symbols to illustrate an overall theme, value, or moral. The allegory of Landman’s cradle illustrates themes of childhood.

All four painted panels feature cherubs in a variety of actions: happily dancing, sheltering an infant, and even recoiling in loneliness. The cradle’s headboard panel depicts a muse playing a lullaby that “rocks” the cradle.

Landman is not only a master of painting, but also of miniature woodworking. For this work, he used dogwood from his home province, British Columbia, and added 22 karat gold accents.

Allegory of a Lullaby: The Inspiration

Johannes Landman

Many of the artists represented in T/m’s fine-scale miniature collection draw inspiration from history, architecture, and the natural world. However, Johannes Landman also turned to his own personal history as inspiration for this beautiful cradle, titled Allegory of a Lullaby.

Formally, the cradle is based on a traditional Dutch cradle with four panels and delicately carved scrollwork details. Like much of his work, Landman emulated the style of the Dutch Old Masters for the allegorical scenes on each side of the cradle. Informally, the most touching source of inspiration for this work can be noted by the fact that he often calls this work “Christina’s Cradle,” in reference to his mother, who died when he was an infant. The work, which took over 1,100 hours to plan and create, is a tribute to every child who has lost a mother.

Framing the Miniature Madame

Johannes Landman

When we’re visiting another museum or gallery, we’ll admit it’s easy to miss what’s around the works of art: the frames. Which is a shame, because they are often works of art themselves! The same might be true of framed fine-scale miniature paintings. Upon closer inspection however, these gilded borders really shine. As we’ve discussed previously on SmallTalk, Johannes Landman is a miniaturist in a range of media. Once Landman had completed the miniature painting Madame de Pompadour, he mounted it in a custom-made frame.

To achieve fine-scale miniature accuracy, Landman used western ewe wood for its fine grain. He was able to shape the curves and tiny details of the frame using a Flexcut carving tool. Lastly, Landman gilded the wood using 24 karat gold imported from Italy. The finished product is a beautiful and classically designed frame fit for a queen … or in this case, a royal mistress!

Details in the Miniature Madame

Johannes Landman

As mentioned previously on SmallTalk, artist Johannes Landman’s painting of Madame de Pompadour replicates the 1756 portrait by François Boucher in stunning 1:12 scale. The original work was commissioned by King Louis XV of France to commemorate his mistress, Jeanne-Antoinette Poisson, being named as the queen’s lady-in-waiting. Boucher’s portrait depicts the lounging Marquise wearing a teal dress dotted with pink roses. Known as one of the best-read women of her time, she is surrounded by numerous books and writing tools.

While much of Landman’s work, including this painting, emulate masterworks down to the fabric folds and flower petals, he always leaves his own unique mark on a painting. See if you can play “Spot the Difference” between the original work and the miniature. We can spot at least three!

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